Manovich suggests that, “today we are in the middle of a new
media revolution” (Manovich, 2002, p. p43) by this, Manovich is
comparing new media’s cultural impact on society to the impact of the printing
press, or photography. He goes on to
introduce new media as the age where media and computer finally meet. “All
existing media are translated into numerical data accessible for the
computers. The result: graphics, moving
images, sounds, shapes, spaces and text become computable, i.e, simply another
set of computer data. In short, media
becomes new media.” (Manovich, 2002, p. 48) To elaborate,
according to Manovich new media is born whenever “a computer becomes a media
processor.” (Manovich, 2002, p. 48) By this he means
that media can now be controlled, manipulated, or created by a computer; this
is new media.
Manovich outlines 5 principles of new media; each principle
cannot exist without its predecessor, which suggests new media did not come
about instantaneously, but was a process which took years to complete. The 5 principles are as such, “Numerical
Representation” (Manovich, 2002, p. 49): this principle
suggests that all new media, both media converted from analog sources, or media
created by computers, are composed by digital code.
“Modularity” or the “fractal
structure of new media.” (Manovich, 2002, p. 51) is the fact that all
new media objects consist of individual parts, which consist from smaller parts,
etc. This is true in a world of media
objects, for example; films consist of scenes, broken down into takes, and on
the smallest level; frames.
“Automation” (Manovich, 2002, p. 52) cannot exist without
modularity of media objects, automation refers to a computer’s ability to
dramatically manipulate a media object through a template or specific algorithm. An example of automation at work would be
using a filter on your photos with instagram.
“Variabilty” (Manovich, 2002, p. 55) refers to the fact
that new media objects can exist as different versions. For example a film can exist as a DVD, as
well as an online version (mpeg, wmv, quicktime etc).
“Transcoding” (Manovich, 2002, p. 63) cannot exist without
any of the past principles, this is the notion that while “media still displays
structural organization which makes sense to its human users” (Manovich,
2002, p. 63)
in a base form, the material principles of new media objects do not consist of
recognisable objects, but as lines of code, data structures like arrays and
lists, or algorithms and data structures.
Manovich times the introduction of new media to the moment
where old media objects and more modern computer technologies combines to
create a new media, where computers and media work together.
Bibliography
Manovich, L. (2002). What is New Media and
Principles of New Media from The Language of New Media . MIT Press.
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This is a class blog for students enrolled on the History and Analysis of New Media Module at The University of Ulster. Please keep comments constructive to help students progress with the given text